Hampton Photo, Arts and Framing proudly presents The THANK YOU ART SHOW at Ashawagh Hall, January 21st and 22nd, 2012. The opening reception begins Saturday January 21st at 5:30 pm and runs until 11:00 pm and Hampton Photo, Arts and Framing has planned one outstanding night with over 100 local artists! The show will be up for viewing Sunday January 21st from 11-4 as well!
Please join us as we say “thank you” to all of our talented friends and customers with a night filled with music, food, art and fun.
Over 100 artists will be displaying their artwork in Hampton Photo, Arts and Framing third annual THANK YOU ART SHOW. Painting, photography, sculpture, origami and more will be filling Ashwagh Hall showcasing an unbelievable slice of the Hampton's art scene. This truly will be a art show for everyone.
 Hampton Photo, Arts and Framing in Bridgehampton has been in business for over 22 years providing photo services, picture framing, frames and art supplies and we are saying once again "THANK YOU" to the community and to our friends who have supported us for over two decades.
For more information vist www.Hamptonphotoarts.com
| Aubrey Grainger | Grant Haffner | Anita Kusick | | Joe Chierchio | Ellen Watson | Diana Frank | | Michael McDowell | Kristina Gale | L. Marie Jones | | Oliver Peterson | Gordon Matheson | Claudia Patino | | Archie Hamilton | William Falkenberg | Rosa Scott | | Ingrid Silva | Kate Petrone | Terry Elkins | | Richard Mothes | Laurie Barone-Schaefer | Hailey Elisabeth Kohlus | | Dan Ritzler | Scott Gibbons | Carly Haffner | | Sam de Poto | Evelyn O'Doherty | Jane Gill | | Amy Pedatella | Scott Hewett | Bonnie Lowe | | Cathy Rowe | Kevin Gomez | Dianne Marxe | | Jim Daga |
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 Watercolor painting is probably the most convenient of all the painting mediums. All you really need to get started is a box of paint, a few brushes, water and some paper. There are no toxic solvents or mediums to be concerned about and your brushes can be cleaned with a little soap and water. This convenience makes watercolor one of the most economical painting mediums as well. This article will provide an introduction to the more popular supplies that a beginner should consider investing in. |
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Long Island Black Artist Association was founded in 1968 by four artists James Counts, Ray Miles, Ernest Snell and Charles Winslow. The purpose of the association is to help African-American artist find a conduit for the exhibition of their work. To that end it has continually sought new venues for exhibiting the work of its' members locally, nationally and internationally and has also encouraged the artist's individual efforts to find recognition. |
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In 1926 de Kooning entered the United States as a stowaway on a British freighter, the SS Shelly, to Newport, Virginia. He then went by ship to Boston, and took a train from Boston to Rhode Island, and eventually settled in Hoboken, New Jersey, where he supported himself as a house painter. In 1927 he moved to a studio in Manhattan and came under the influence of the artist, connoisseur, and art critic John D. Graham and the painter Arshile Gorky. Gorky became one of de Kooning's closest friends. |
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The East End has been a vibrant art community since the 1870s, when the Long Island Rail Road made the area easily accessible from New York City. Thomas Moran settled in East Hampton with his family in 1884, and his studio soon became a gathering place for artists and intellectuals. A number of Moran's bucolic landscapes are featured in the exhibition, including A Midsummer Day, East Hampton, Long Island (1903), which captures the lush greenery of the countryside. Childe Hassam (1859-1935), one of America's most prominent Impressionists, was a seasonal resident of the Hamptons from 1919 until his death. One of many artists fascinated by the area's unique quality of light, Hassam used short brushstrokes and a vivid color palette to evoke glimmering and flickering rays of light in his oil painting Little Old Cottage, Egypt Lane, East Hampton. |
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Oil paints are made basically by mixing cold-pressed Linsed oil with pigment or color until a smooth buttery paint is produced. When the oil paint is used and applied to a surface the oil oxidizes or absorbs air and then forms a solid film that binds the pigment to the surface of the painting.